I know you don’t like to talk, but you gotta do it for her.
Yadriel & Maria appreciation post ✿◕‿◕✿
HE SAID MORE THAN HE DID ALL SEASON. I THOUGHT HE DIDN’T CARE. I THOUGHT HE WAS JUST BEING NICE AND LETTING HIS BABY MAMA SEE THE BABY THAT HE PROBABLY DIDN’T REALLY WANT AND BARELY LOOKED AFTER BUT I WAS FUCKING WRONG. I WAS WRONG ABOUT HIM. HE’S JUST QUIET. THE DUDE IS STOIC AS FUCK AND HE FUCKING LOVES MARIA AND HE LOVES THAT BABY AND IT’S FUCKING BEAUTIFUL THE WAY HE GUSHES AND TALKS TO HER LIKE MARIA ASKED HIM TO DO BECAUSE HE WANTS HER TO GROW UP SMART AND LOVED.
But also look at how cute the baby is dressed in each visit. Who did that? Daddy did. But that’s exactly the kind of visual cue that gets lost when he’s getting judged for his bald head, tattoos and stoic (thuggish?) demeanor.
By far my favorite moment in the show, both seasons. And I don’t have a thing for babies. It’s just this show, showing beautiful moments in such original ways and showing minority characters with depth… I was so moved.
I’ve seen a lot of commentary on Christian Grey’s controlling nature, on the way his “scenes” with Ana don’t really resemble anything found in the BDSM scene, and those are all great and accurate and I agree with them.
I haven’t seen anyone comment on Christian’s actual mental issues? I kind of get going when I try to put together a coherent essay about this, so I’m just going to bullet point it and let you draw your own (hopefully obvious) conclusions:
- Christian Grey’s mother died when he was very young. She was a drug addict who turned tricks to support her addiction.
- She died, and I don’t recall the specifics, but it was either a trick gone wrong (the guy got too rough) or an overdose. Christian was there when it happened, he witnessed it, and he was alone with her corpse for several days before her pimp came by to check why she wasn’t showing up for work and found her body.
- Christian harbors a decent amount of anger and resentment towards his mother. I don’t blame him. He saw a therapist to get over his issues for most of his life. He refers to her as “the crackwhore.”
- Christian has a type of woman, physically. They all look like each other, and they all look like his mother.
- Christian, as a sadist, enters into relationships with women who look like his mother, and he scenes with them, and in those scenes, he hits them. He tells Ana that he has to hit them. He hits women who look like his mother and this is done under the guise of a safe, sane, consensual kinky relationship.
- Christian Grey enters into a relationship with Anastasia Steele, who has never participated in the kink/fetish scene before, who is not a masochist, and who repeatedly tells Christian she doesn’t like physical punishment which he insists upon administering, has no idea what a safe, sane, consensual scene is.
- WHAT CHRISTIAN GREY DOES IS NOT SAFE, SANE, OR CONSENSUAL. IT IS ABUSE. CHRISTIAN GREY IS AN ABUSIVE MAN WHO TAKES HIS ANGER AND RESENTMENT TOWARDS HIS MOTHER OUT ON WOMEN WHO LOOK LIKE HER.
- THIS IS NOT LOVE. THIS IS NOT KINK. THIS IS ABUSE.
In a groundbreaking study, researchers reveal a host of new genes involved in schizophrenia, making it possible to develop desperately needed treatments
It took 80,000 genetic samples, seven years and the work of 300 scientists from around the world, but scientists now have the most complete dossier on schizophrenia ever.
In an historic paper published in the journal Nature, the Schizophrenia Working Group of the Psychiatric Genomics Consortium identified 108 new regions on the genome linked to the psychiatric disorder, which is associated with hallucinations and psychotic episodes and affects about 1% of people worldwide.
Scientists begin to crack the code on schizophrenia, identifying 108 genes involved in the disorder. Complement with the relationship between creativity and mental illness, with a special focus on schizophrenia. (via explore-blog)
50 Shades of Grey was originally fanfiction based on the Twilight series, which was then published as a novel (along with 2 subsequent books). It sold over 100 million copies around the world and topped best-seller lists everywhere. It’s about to be adapted into a film, set to come out early next year.
It follows a college student named Ana Steele, who enters a relationship with a man named Christian Grey and is then introduced to a bastardised and abusive parody of BDSM culture.
While the book is paraded as erotica, the relationship between Ana and Christian is far from healthy. The core mantra of the BDSM community is “safe, sane and consensual”, and 50 Shades is anything but. None of the rules of BDSM practices (which are put in place to protect those involved) are actually upheld. Christian is controlling, manipulative, abusive, takes complete advantage of Ana, ignores safe-words, ignores consent, keeps her uneducated about the sexual practices they’re taking part in, and a multitude of other terrible things. Their relationship is completely sickening and unhealthy.
Basically, “the book is a glaring glamorisation of violence against women,” as Amy Bonomi so perfectly put it.
It’s terrible enough that a book like this has been absorbed by people worldwide. Now, we have a film that is expected to be a huge box-office success, and will likely convince countless more young women that it’s okay not to have any autonomy in a relationship, that a man is allowed to control them entirely. It will also show many young men that women are theirs to play with and dominate, thus contributing to antiquated patriarchal values and rape culture.
Boycott this fucking movie, for the love of god. These kinds of ideas are dangerous and set us back as a society
Reblogging not just because special effects are cool but because body doubles, stunt doubles, acting doubles, talent doubles — all the people whose faces we’re not supposed to see but whose bodies make movies and tv shows possible — these people need and deserve more recognition. We see their bodies onscreen, delight in the shape and motion of those bodies, but even as we pick apart everything else that goes on both on and behind the screen, I just don’t see the people who are those bodies getting the love and recognition they deserve.
We’re coming to love and recognize actors who work in full-body makeup/costumes, such as Andy Serkis, or actors whose entire performances, or large chunks thereof, are motion captured or digitized (lately sometimes also Andy Serkis!). But people like Leander Deeny play an enormous part in making characters such as Steve Rogers come to life, too. Body language is a huge part of a performance and of characterization. For characters/series with a lot of action, a stunt person can have a huge influence on how we read and interpret a character, such as the influence Heidi Moneymaker has had on the style and choreography of Black Widow’s signature fighting style. Talent doubles breathe believability and discipline-specific nuance into demanding storylines.
Actors are creative people themselves, and incredibly important in building the characters we see onscreen. But if we agree that they’re more than dancing monkeys who just do whatever the directors/writers say, then we have to agree that doubles are more than that, too. Doubles make creative decisions too, and often form strong, mutually supportive relationship with actors.
Image 1: “I would like to thank Kathryn Alexandre, the most generous actor I’ve ever worked opposite.”
Image 2: “Kathryn who’s playing my double who’s incredible.”
I’ve got a relationship that goes back many, many years with Dave. And I would hate for people to just see that image of me and Dave and go, “oh, there’s Dan Radcliffe with a person in a wheelchair.” Because I would never even for a moment want them to assume that Dave was anything except for an incredibly important person in my life.
With modern tv- and film-making techniques, many characters are composite creations. The characters we see onscreen or onstage have always been team efforts, with writers, directors, makeup artists, costume designers, special effects artists, production designers, and many other people all contributing to how a character is ultimately realized in front of us. Many different techniques go into something like the creation of Skinny Steve — he’s no more all Leander Deeny than he is all Chris Evans.
But as fandom dissects the anatomy of scenes in ever-increasing detail to get at microexpressions and the minutiae of body language, let’s recognize the anatomy in the scenes, too. I don’t mean to take away from the work Chris Evans or any other actors do (he is an amazing Steve Rogers and I love him tons), but fandom needs to do better in recognizing the bodies, the other people, who make up the characters we love and some of our very favourite shots of them. Chris Evans has an amazing body, but so does Leander Deeny — that body is beautiful; that body mimicked Chris Evans’s motions with amazing, skilled precision; that body moved Steve Rogers with emotion and grace and character.
Fandom should do better than productions and creators who fail to be transparent about the doubles in their productions. On the screen, suspension of disbelief is key and the goal is to make all the effort that went into the production vanish and leave only the product itself behind. But when the film is over and the episode ends, let’s remember everyone who helped make that happen.
[ Sam Hargrave (stunt double for Chris Evans) and James Young (stunt double for Sebastian Stan, and fight choreographer), seen from behind, exchange a fistbump while in costume on the set of Captain America: The Winter Soldier. Image via lifeofkj ]
I applaud these guys as much as the suit actors in my japanese tokusatsu shows. They do just as much work.
"My response to the “I am not a feminist” internet phenomenon….
First of all, it’s clear you don’t know what feminism is. But I’m not going to explain it to you. You can google it. To quote an old friend, “I’m not the feminist babysitter.”
But here is what I think you should know.
You’re insulting every woman who was forcibly restrained in a jail cell with a feeding tube down her throat for your right to vote, less than 100 years ago.
You’re degrading every woman who has accessed a rape crisis center, which wouldn’t exist without the feminist movement.
You’re undermining every woman who fought to make marital rape a crime (it was legal until 1993).
You’re spitting on the legacy of every woman who fought for women to be allowed to own property (1848). For the abolition of slavery and the rise of the labor union. For the right to divorce. For women to be allowed to have access to birth control (Comstock laws). For middle and upper class women to be allowed to work outside the home (poor women have always worked outside the home). To make domestic violence a crime in the US (It is very much legal in many parts of the world). To make workplace sexual harassment a crime.
In short, you know not what you speak of. You reap the rewards of these women’s sacrifices every day of your life. When you grin with your cutsey sign about how you’re not a feminist, you ignorantly spit on the sacred struggle of the past 200 years. You bite the hand that has fed you freedom, safety, and a voice.
In short, kiss my ass, you ignorant little jerks.”
Libby Anne (via newwavenova)